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Over the Edge: Reflected Power

clock June 21, 2011 09:04 by author Amber

It's not often a story like Seren Draig, by T.D Edge, comes along; a story with so many great mental images, how do I choose one? I knew I wanted the black Mercedes that's featured in the story, but what do with it?

I could put the main character in front of the grill back to the camera. No, that's been done before. Well, what about including the female antagonist? No, she's not in the same scene as the car. Since I wasn't really happy with the concepts I was coming up. I figured I would go shoot photos of the car, since I had a very small window to shoot it in, and look at the photos in post production and see if anything sparks an idea.

And idea was sparked.

Copyright null, Stopped Motion Photography. www.stopped-motion.com

 This photo is actually two photographs. The Mercedes was shot in a parking lot in South Seattle with the sun and a single strobe at 1/60th of a second at F/16. The SB-800 was running at 1/4th power to help overpower the sun. Very little modification to the car was done at this point.

The dragon was shot in my studio at 1/100th of a second and F/10 against a black background and used a SB-600 at 1/64th power as the sole light source. I wanted the the heavy shadows to help shroud the beast in mystery. After removing the black background the dragon was placed on the car and distorted like any reflection would be. I also cut out areas of non-reflective surfaces.



Over the Edge: Safety in Ritual

clock June 1, 2011 17:40 by author Amber

Kyle Cassidy, one of my photography idols, once gave several pieces of advice to photographers at large by way of his blog as a means of answering the age old question: "What advice would you give new photographers?" The one piece of advice that really stood out to me is one that I've tried is simple.

Surround yourself with creative people.

That's an idea I agree with with whole heartedly. I have friends who are artists and authors, painters and dancers, actors and musicians. In this, I am truly blessed.

But where am I going with this, you ask? The answer is simple.

Copyright null, Stopped Motion Photography. www.stopped-motion.com

One of my friends, Lillian Cohen-Moore, is an author--and she's a model and a stage manager and an all around amazing woman--has a story April Edition of the Edge of Propinquity. One of the images that really struck me as I read the story was of the main character cutting strawberries as she sat next to her ailing grandmother who laid in the living room bed and that formed the basis of the image. This is one of the rare photos I've created for the Edge of Propinquity where the author was the subject of the final photo.

The photo was shot with my Nikon D700, and 50mm lens at f2.8 and 1/250th of a second. The image is light with a single Nikon SB-600 SpeedLight that is sitting on the ground to the right of the camera, pointing up at the ceiling.



Putting on the Ritz

clock June 1, 2011 06:48 by author Amber

Tight turn around times can be very hard, especially when you're looking for that perfect shot. But the pressure can be very can be very rewarding. Take this one, for instance, where Miss Vixen Valentine, a local burlesque performer and producer who needed a show flier on very short notice for Puttin' on the Ritz.

Copyright 2011, Stopped Motion Photography. www.stopped-motion.com

The model is Eva Harlowe, stage kitten and purveyor of the pick up arts. That is a fancy way of saying she picks up the discarded items while entertaining the audience at the same time.

Makeup by Miss Vixen Valentine. Hair by Beatrice Belladonna.

Technical bits: F/2.8 at 50mm, 1/100th of a second, two strobe set up. SB-800 at 1/64 power on a silver fill umbrella with an SB-600 and a white shoot trhough umbrella against a focus gray (60%) background.

Total time from appointment to flier: 94 minutes.

Puttin' on the Ritz is on Wednesday, June 29th, at the Rendezvous Jewelbox Theater.



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